Dioptre adjustment is available through a knurled knob on the side of the housing. An eye-start sensor on its right side switches it on automatically when you raise the camera to your eye – provided this function is enabled in the menu. At the rear of the flash housing is the electronic viewfinder, which displays the same information as the monitor. A hot shoe is provided for external flash units. The flash housing carries an electronic flash tube that is popped up manually with a button on the side of the housing and lowered by pressing is gently back into place. It carries 11 shooting mode settings: Auto, Scene Recognition Auto, Advanced, Scene Position 1 and 2, Motion Panorama, Custom and the P, A, S and M settings that characterise all advanced cameras. A command dial sits just behind them.īetween the command dial and the viewfinder/flash housing lies the mode dial, which is canted backwards slightly to make it more accessible. Behind it are two much smaller buttons for accessing the exposure compensation and drive settings. Perched towards the front of the grip is a large shutter button, surrounded by an on/off lever switch. The top panel of the HS10 with the lens zoomed out to the tele position. The Super Macro mode locks the lens at a pre-set focal length, which covers from 1 cm to 1 metre. In Macro mode, the lens must be set to the wide-angle position to achieve focus at the specified distance. However, pressing the macro button on the arrow pad lets you drop this to 10 cm in Macro mode and 1 cm in Super Macro mode. The closest focusing distance for the normal AF range is 50 cm. They range in 1/3EV steps from f/2.8 to f/11 at the wide angle of view to f/5.6 to f/11 at full tele zoom. The lens on the HS10 also provides a more generous range of aperture settings than most digicams. In this mode, the central portion of the frame is enlarged to assist accurate focusing. A narrow, ridged focusing ring sits close to the camera body for focusing the lens manually when the manual focus mode is selected. This allows much more precise zooming than the rocker- or lever-based controls on competing cameras.Įngraved on the inner barrel are paired focal length markings showing the actual and 35mm equivalent focal length settings for eight focal lengths. Unlike most digicams zooming is mechanical, initiated by turning a broad, rubber-clad ring on the lens barrel. The lens protrudes roughly 70 mm from the camera body when power is off and in the Wide setting but extends to just over 120 mm when the zoom is fully extended. Two stabilisation modes are supported for each: continuous and shooting only. The HS10 provides both CMOS-shift and Digital Image Stabilisation and they can be selected individually, combined or switched off via the setup menu. At the other end of the scale, the 2x digital zoom enables users to shoot with a focal length equivalent to 1440mm in 35mm format. It covers a focal length range equivalent to 24-720mm in 35mm format. The built-in zoom lens in the HS10 should be able to handle most of the subjects casual photographers normally shoot. The front surface of the grip is also covered with a rubber-like material to prevent fingers from slipping, making it possible to shoot one-handed. The grip is deep enough to suit users with large hands, although the small buttons may prove tricky to operate. However, like most DSLRs, it has separate battery and card compartments – instead of a combined slot. Key features of the HS10 and the main rivals it defeated are shown in the table below.įull HD (1080p), HD (720p), VGA/QVGA at 30 fpsĬonstructed from black plastic, the body of the HS10 feels a little less solid than some of its competitors. Its extensive feature set, sophisticated photographic controls, advanced functionality and SLR-like handling have contributed to it being selected as the winner in the Superzoom category in this year’s TIPA awards. The HS10 also offers many SLR-like handling characteristics plus critical functions like PASM shooting modes and support for raw file capture.
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